For the uninitiated, Joe Jack Talcum is a name rooted in mythology. Initially, Jack Talcum was a janitor for a recording studio, who manage to weasel his way into recording with a band called The Dead Milkmen. A conceited hard-ass, and by no means an artist, he gradually took over the band and appended the name Joe to become Joe Jack Talcum. He later married a Japanese artist, Kit McCat, and was eventually though to have been shot, around the same time that John Lennon was: It was later revealed that it was actually a look-a-like. When this happened, they thought it may be the end of the Dead Milkmen, but they’re back and are actively working on new songs now.
For the non-fictitious take, The Dead Milkmen originated as stories that were written for a newsletter and when it was decided that The Dead Milkmen needed to be turned into an ‘actual’ band, they took names from the stories that had been written and adopted their personalities. In part, Joseph Genaro was hoping that the pseudonym would help separate his personal life from his musical. In 1984, he released his first solo album under the name of Joe Jack Talcum and managed to continue releasing one solo album once every two years, which he managed to do up until 1997. (Of which, a collection is available through Valiant Death Records.) On top of all of this, including The Dead Milkmen albums, Joe has managed to put out over 60 albums in the past 27 years. Take a second to figure out how many albums, on average, he has put out every year since 1983.
So outside of a being able to travel around the country with various bands, what else is going on in the life of Mr. Genaro. As of the beginning of the year, he’s preparing to move out of his present apartment and into a new one, and then embark onto the Huge Bicycle Tour with Lord Grunge, The Bassturd and DJ Jester the Filipino Fist. But upon prodding and asking, “What’s the one thing you should be asking yourself, after all of these years.” A delipidated voice ushers through the phone, “Aren’t you sick of this?” It gains some momentum. “Aren’t you sick of playing music and going on tour.” Almost angrily, “Are you crazy?” He stops and then explains himself. “Sometimes I think I should be sick, but I’m not. I haven’t had my fill.” He’s right, as much as it is quite an ideal to live through, what of permanence or consistency. “How long until it’s illegal to not have health insurance? How much longer can I go around the country just scraping by?” He says there’s some potential with The Dead Milkmen reforming to play shows, including some new material, but they’re rather reluctant on the possibility of touring.
Still, thoughts as such aren’t slowing him down. After this tour, he’s going to do another with his solo material with a backing band and with No! Go! Tell! He’s excited to be on tour with The Bassturd, who he had previously traveled with back in September of 2009 and would watch him ask audience members for topics for songs, and create songs on the spot, which he found very impressive. He likes the fact that he’s playing with a pretty eclectic group of people this time around and well, this is obviously not the last time we’re going to see him traveling around.
The Bicycle Tour will be occurring on the 2nd, with locals Andrew Jackson Jihad and Haunted Cologne.
Archive for January, 2010
Joe Jack Talcum
Sunday, January 31st, 2010The Heart of Grand Avenue
Wednesday, January 27th, 2010Whether housing an auto showroom—or a cutting edge art space—the building located at 750 NW Grand Avenue remains one of the most flamboyant Space Age structures extant in Phoenix. Featuring soaring roof lines, dramatic angles and large windows, its Googie-style architecture screams of a young, optimistic and prosperous America.
Read more about this building in Issue #2 of “The Trunk Space Slide Rule” zine.

Fletcher Jones Chevy occupied the building at 750 NW Grand Avenue from 1958 to 1974.

- The Paper Heart Gallery was the last occupant of the distinctive Space Age building at 750 NW Grand Avenue.
Douglas Towne
Michelle Blades, CD Release, Feb 26th
Saturday, January 23rd, 2010RJM Music Presents
MICHELLE BLADES CD release,
“Oh, Nostalgia!”
Ukuleles, guitars, castanets, boxes of pasta, drum pillows, other things.
The Niece of Rubén Blades and folk ukulele singer/songwriter is rising up in Phoenix, Arizona, with performances and album releases on the River Jones Music Label. “Think Indie” and Stinkweeds liked her new release so much they thought it deserved a feature in their stores and are offering to stream the entire release online.
Phoenix New Times wrote…”Michelle Blades stood out as a jazzy Regina Spektor with a interchangeable flourishes of Blossom Dearie and Devendra Banhart. Blades began her set on guitar with The Pioneers backing her, promptly switch to ukulele and brought out Tobie Milford on violin and Erica Shafer on upright bass. Enrapturing the crowd, Blades finished her set by making a song with the audience providing improvised vocals and percussion, while she scatted and freestyled.” And also… “Blades sounds like an island-y Joni Mitchell — or a sweeter Jolie Holland — when she plays her jazz-inspired folk. There’s a soulful edge to her timbre, but plenty of rasp and scratch in that voice, like something you might hear from a chain-smoking lounge singer in the 1940s.”
The CD’s will be in stores nationwide April and May.
The two song single Strawberry Ghost will be released Internationally in April
CD Release party @ The Trunk Space
Friday February 26th, 7pm.
Thank you.
River Jones Music Label 2010